Emily in Paris Sets Its Sights on Monaco

 

The ever-glossy world of Emily in Paris is about to get a Riviera upgrade. After turning Parisian cafés and Roman streets into global backdrops, the hit Netflix series is now heading to the ultra-luxurious shores of Monaco.

According to an exclusive report from Variety, confirmed during a panel at PaleyFest on April 10, filming for season six will take place not only in Greece but also in Monaco—marking a new chapter for the series’ ever-expanding European footprint.

Production teams are expected to arrive in the Principality between May 11 and September 30, 2026. While specific filming locations have yet to be officially disclosed, Monaco’s cinematic landmarks—from its yacht-lined harbor to its Belle Époque architecture—offer no shortage of visual spectacle. It’s the kind of setting that aligns perfectly with the show’s signature blend of escapism, luxury, and curated chaos.

What remains tightly under wraps, however, is the storyline. Season five left audiences with shifting relationships and career crossroads, and the move to Monaco raises plenty of questions. Will Emily’s marketing career take her into the high-stakes world of luxury brands and international clients? Or is this simply another picturesque detour in her increasingly jet-set life?

Monaco’s inclusion is more than just a scenic upgrade—it’s a strategic one. The Principality has long positioned itself as a hub for high-end tourism, fashion, and global events. Hosting a production of this scale not only reinforces its image but also taps into the series’ massive international audience.

For fans, the appeal is obvious: new drama, new destinations, and a fresh layer of Riviera glamour. For Monaco, it’s a chance to step into the spotlight of one of streaming’s most recognizable franchises.

Either way, one thing is certain—Emily’s world is about to get even more extravagant.

Monaco Turns Back Time: Inside the 2026 Historic Grand Prix

 

From April 24–26, 2026, the streets of Monaco will once again echo with the unmistakable roar of vintage engines as the 15th edition of the Monaco Historic Grand Prix brings motorsport history vividly back to life. This isn’t just a race weekend—it’s a full-throttle tribute to more than a century of racing heritage, staged on one of the most iconic circuits in the world.

One of the biggest shifts this year comes thanks to updated regulations from the Fédération Internationale de l’Automobile, allowing turbocharged Formula One cars to join the grid. For the first time, a dedicated class will spotlight F1 machines from 1981 to 1985—an era when turbo power reshaped the sport’s competitive landscape.

Still, for many fans, the true magic lies a little further back in time. The thunderous 3-liter cars of the late 1960s and 1970s—often powered by the legendary Ford Cosworth DFV V8—remain the emotional core of the event. Introduced in 1966, these machines didn’t just win races; they transformed Formula One’s identity, combining raw speed with mechanical simplicity in a way that still captivates purists today.

Expect between 80 and 100 meticulously restored cars across multiple race classes, from Race D through G, each one maintained to a standard that allows it to perform at speeds rivaling—or even exceeding—its original era. Modern track conditions and safety measures mean these historic machines can be pushed harder than ever before, without losing their authenticity.

The event’s deep respect for tradition is perhaps most evident in its oldest class. Race A1 remains exclusively dedicated to pre-war icons, where marques like Bugatti—including the revered Type 35, 37, and 51—and Maserati represent the very DNA of racing in Monaco. These cars aren’t just exhibits; they’re living artifacts of the sport’s earliest battles.

Other categories continue unchanged, offering a sweeping timeline of motorsport evolution. From post-war front-engine racers in Race A2 to classic sportscars in Race C, and multiple Formula One grids spanning 1946 to 1985, the weekend unfolds like a rolling museum—only louder, faster, and far more visceral.

With special tributes and anniversaries woven into the program, the 2026 edition promises more than nostalgia. It’s a rare chance to see, hear, and even feel the machines that built modern racing—engines screaming, tires gripping, and history racing by just inches away.

Monte-Carlo Fashion Week 2026: Five Days of Couture, Innovation, and Sustainability on the Riviera

 

Monte-Carlo Fashion Week returns from 14 to 18 April 2026, transforming the Principality of Monaco into a showcase of international design, sustainability innovation, and high-fashion spectacle. Across five days, the official fashion event blends runway shows, industry conferences, a dedicated fashion hub, and a gala ceremony hosted in some of Monaco’s most iconic venues.

The week begins on Tuesday 14 April with an official opening ceremony at the Mairie, where Mayor Georges Marsan delivers the inaugural address. The evening continues with the Monaco Woman Cocktail at Equivoque, setting a tone of elegance and networking for the days ahead.

Wednesday: Fashion on the Waterfront

On Wednesday 15 April, attention turns to the prestigious Yacht Club de Monaco, which hosts a full day of runway presentations from international labels including Daphne Milano and Hyperlight Optics by Zepter, highlighting a fusion of fashion, eyewear, and technological design innovation. The Yacht Club will also unveil its own special collection.

A notable moment of the day is the celebration of Made in Italy Day, presented with the Italian Embassy and featuring young Monaco-based Italian designer Isabel Fargnoli.

The day concludes with a headline runway show by Genny, followed by an exclusive evening cocktail reception.

Thursday: Where Fashion Meets Responsibility

Thursday 16 April shifts the focus from runway glamour to dialogue and innovation at the Yacht Club de Monaco. A key roundtable, organised in partnership with the Prince Albert II of Monaco Foundation, brings together designers and sustainability experts working at the intersection of environmental responsibility and material innovation.

Among the featured voices are French designer Célia Roussin, known for transforming vineyard byproducts into materials for fashion and fragrance, and Runa Ray of Kelptex, a U.S. company developing biodegradable textiles from seaweed and waste materials—work that has earned a nomination for the 2026 Earthshot Prize.

Later in the afternoon, Leonardo Maria Del Vecchio, President of Ray-Ban and Chief Strategy Officer of EssilorLuxottica, joins a conversation on responsible innovation and global inclusion.

The programme continues with Fashion’s Next Chapter, in collaboration with the Monaco Chamber of Commerce, featuring Alessandro Binello, founder and CEO of Quadrivio Group, the private equity firm behind brands including Twinset, GCDS, and Dondup.

Meanwhile, the Fashion Hub opens at 1pm at Marius Monaco, showcasing emerging and international brands such as Crida Milano, Di Iorio, Presente Ancestral, Baiah, and Yasmina Al Jaramani.

Friday: Emerging Talent and Industry Recognition

On Friday 17 April, the Fashion Hub continues before attention shifts to the Polimoda fashion show at the Salle Leo Ferré. The presentation, designed in collaboration with Monaco’s Pavillon Bosio art school, highlights the next generation of creative talent.

The evening culminates at the Grimaldi Forum’s Grande Verrière with the Fashion Awards Ceremony and Gala Dinner, where the Positive Change Award honours individuals leading ethical and innovative progress within the fashion industry.

Saturday: Grand Finale on the Riviera

The final day, Saturday 18 April, delivers a packed programme of runway shows at the Grimaldi Forum.

The schedule opens with Twinset, presenting a ready-to-wear collection tailored for the Côte d’Azur lifestyle, followed by Kalfar, Beach & Cashmere Monaco by Federica Nardoni Spinetta, and designers including Diana Mara and Yasya Minochkina, whose work draws inspiration from Monaco and the French Riviera.

The closing moment of the week belongs to British designer Macy Grimshaw, a Central Saint Martins graduate whose designs have already been worn by figures including Emma Corrin, Paloma Elsesser, PinkPantheress, and Harry Styles.

“This edition represents a key moment to promote an increasingly conscious and responsible fashion, capable of combining aesthetics, innovation, and ethical values,” said Federica Nardoni Spinetta, President of the Chambre Monégasque de la Mode.

Monte-Carlo Fashion Week 2026 ultimately positions Monaco not just as a stage for luxury fashion, but as a growing hub where creativity, sustainability, and industry influence increasingly converge.

The €105 Million Mirage: What the Palais Vénitien Sale Really Says About the Riviera’s Ultra-Luxury Market

 

On paper, the €105 million sale of the Palais Vénitien in Cannes looks like a triumphant headline—a record-breaking transaction, a palace finally finding its owner after nearly a decade. But beneath the spectacle lies something far more revealing about the reality of ultra-prime real estate on the French Riviera.

This wasn’t just a sale. It was a lesson in patience, positioning, and the limits of even the world’s most exclusive property market.

More Palace Than Property

The Palais Vénitien was never meant to be compared to a typical Riviera villa. Designed as a private palace inspired by Venetian and Byzantine architecture, the estate stretches across thousands of square metres with monumental columns, ornate detailing, and resort-level amenities.

We’re not talking about a summer home. This is a fully self-contained world—complete with spa, private nightclub, helipad, landscaped parkland, and security infrastructure.

In other words, it wasn’t built for the Riviera lifestyle most buyers imagine. It was built for a very specific kind of global ultra-wealthy individual—someone seeking privacy, permanence, and presence.

And that distinction matters.

Ten Years on the Market—Failure or Strategy?

The most striking detail isn’t the price. It’s the timeline.

Nearly ten years passed between listing and sale.

At first glance, that sounds like a red flag. In reality, it highlights the core truth of this segment: at €100M+, you’re no longer selling property—you’re matching a profile.

The buyer pool becomes vanishingly small. Every detail must align—nationality, tax strategy, lifestyle preferences, security expectations.

This isn’t a market where demand meets supply. It’s a market where timing meets the one.

The eventual buyer—a billionaire with international ties and Monaco residency—fits a pattern increasingly shaping the Riviera: globally mobile wealth seeking both discretion and strategic positioning.

The Problem of Taste at the Top

One of the more overlooked challenges? Style.

While the Palais Vénitien is undeniably impressive, its theatrical Venetian aesthetic sits outside the mainstream preferences of many ultra-high-net-worth buyers.

Today’s luxury market often leans in two very different directions:

• Ultra-modern minimalism (glass, clean lines, technology-driven design)

• Classic Riviera elegance (Belle Époque villas, heritage charm)

This property exists somewhere in between—bold, opulent, and highly specific.

And in ultra-luxury, specificity slows everything down.

Pricing vs Reality

For years, properties at this level on the Côte d’Azur have often been priced aspirationally—anchored more in ambition than in comparable sales.

The Palais Vénitien reportedly saw a price adjustment of around 12% before finally closing at €105 million.

That’s not a collapse—but it’s a recalibration.

Even in the world of billionaires, psychology still matters. Deals happen when price perception finally aligns with perceived value.

What This Sale Actually Tells Us

It’s tempting to view this as proof of an unstoppable luxury market. But the reality is more nuanced.

Yes, demand at the very top still exists. Cannes continues to attract global wealth, driven by limited supply and an unmatched lifestyle offering.

But this sale also exposes the friction points:

• Ultra-niche properties take time—sometimes years—to move

• Architectural boldness can limit liquidity

• Pricing at the top end is often a waiting game, not a market certainty

In short: liquidity disappears the higher you go.

The Bigger Picture

The Palais Vénitien didn’t just sell because the market is strong. It sold because the right buyer, with the right motivations, appeared at the right moment.

That’s the real story.

At this level, real estate stops behaving like real estate. It becomes a hybrid of asset, identity, and strategy.

And while the Riviera continues to dazzle with record-breaking headlines, this deal is a quiet reminder of something far less glamorous:

Even at €105 million, nothing sells until it makes sense—to exactly one person.