Cinema Under the Stars: Hôtel Belles Rives Launches Its First Beachside Film Club This Summer

 

This summer, movie nights on the French Riviera are getting a glamorous upgrade. Beginning June 14, 2026, the iconic Hôtel Belles Rives in Antibes will host the very first edition of its open-air Film Club—an elegant seaside cinema experience set directly on its private beach.

 

Picture the scene: stretched out on a deck chair with the Mediterranean just steps away, the sky glowing with sunset colors, the sound of gentle waves in the background, and a giant screen lighting up as the evening’s film begins. Add gourmet popcorn and a cocktail, and it becomes one of the most stylish summer events on the Côte d’Azur.

 

The concept is designed as a tribute to both cinema and the timeless Riviera lifestyle. After creating the prestigious Fitzgerald Literary Prize in 2011—honoring F. Scott Fitzgerald, who famously spent summers in Cap d’Antibes—the hotel is now turning its attention to the seventh art. Naturally, the season opens with The Great Gatsby, Baz Luhrmann’s lavish adaptation of Fitzgerald’s classic.

 

The summer lineup features seven screenings running from June through September, with family-friendly films shown in their original language. Guests can expect Riviera-inspired classics including La La Land, Casino Royale, Call Me by Your Name, and Heartbreaker—many chosen for their connection to the glamour and romance of the South of France.

 

Three ticket options are available. The youth package (ages 12–18) is priced at €50, while the classic adult offer costs €60. Both include a reserved deck chair, gourmet popcorn served in a cone, and a non-alcoholic signature cocktail.

For €80, guests can upgrade to premium seating in the first two rows and enjoy a glass of champagne for a truly VIP Riviera cinema experience.

 

Screenings begin at 8:30 p.m., with guests welcome from 7 p.m. to settle in and enjoy the sunset atmosphere before the film starts. The season concludes with a final screening on September 13.

 

With limited seating and one of the most beautiful settings on the coast, the Belles Rives Film Club is shaping up to be one of the must-attend cultural events of summer 2026—where cinema, sea, and starlit skies come together in perfect Riviera fashion. Reservations can be made directly through Hôtel Belles Rives.

Brigitte Bardot, La Madrague, and the Legacy Beyond the Legend

 

When Brigitte Bardot passed away on December 28, 2025, at the age of 91 in her beloved home of Saint-Tropez, France did not simply lose a former actress—it lost one of its most enduring cultural symbols. From global screen icon and fashion muse to fierce and often controversial animal-rights campaigner, Bardot’s life left behind a legacy far larger than cinema.

At the center of that legacy stood La Madrague, her legendary seaside villa in Saint-Tropez, a place inseparable from her name and mystique. Reports following her death confirmed that while her estate would be divided between family and charitable interests, La Madrague itself had long been intended for the Brigitte Bardot Foundation, the institution that became the true mission of her later life.

Contrary to some early confusion, Bardot’s inheritance was never simply a matter of celebrity wealth passing to heirs. Her son, Nicolas-Jacques Charrier, remained a principal legal heir to a significant portion of her estate, while her husband, Bernard d’Ormale, her partner since the early 1990s and later president of her Foundation, remained central to preserving her wishes and continuing her work.

The Foundation’s long-serving leadership emphasized that the succession had been carefully prepared well in advance, with inventories completed and family coordination handled to avoid the kind of bitter inheritance wars often seen in other famous French families. The goal was clear: protect both family stability and the future of the cause Bardot valued above all else—animal protection.

That cause defined her final decades far more than film ever did. After retiring from acting in 1973, Bardot increasingly distanced herself from celebrity life and dedicated herself almost entirely to animal welfare.

She founded the Brigitte Bardot Foundation in 1986 and personally financed much of its work, even using proceeds from her own assets to support rescue operations, sanctuaries, and international campaigns against cruelty. In many ways, La Madrague transformed from a glamorous Riviera symbol into the emotional headquarters of that mission—a private refuge, but also a symbol of what she wanted to leave behind.

Of course, Bardot’s legacy remains complicated. Admired for her beauty, independence, and lifelong activism, she was also repeatedly criticized and legally condemned for inflammatory public remarks and convictions related to inciting racial hatred. Her public image in later life became deeply polarizing, dividing admirers of her humanitarian work from critics of her political and social statements. Yet even those controversies could not erase her extraordinary cultural footprint. She remained, undeniably, one of the most recognizable French women of the twentieth century.

And so, the future of La Madrague is perhaps fittingly not just about inheritance, but about intention. It is not merely a villa changing hands—it is the preservation of a symbol.

Rather than becoming another celebrity estate fractured by disputes, it stands as part of a carefully structured transition between private memory and public mission.

In death, as in life, Brigitte Bardot ensured that her greatest possession would continue serving what she believed mattered most: defending those without a voice.

Rainbow Map 2026: France Stalls, Monaco Still Waits

 

ILGA-Europe Rainbow Map 2026 has once again placed a spotlight on the state of LGBTQ+ rights across Europe, and the results tell two very different stories for France and Monaco.

The Rainbow Map, ILGA-Europe’s annual benchmark, ranks 49 European countries on laws and policies affecting LGBTI people, scoring them from 0 to 100 percent across areas such as equality, family rights, hate crime protections, legal gender recognition, asylum, and civil liberties.

In 2026, Spain took the top spot for the first time, ending Malta’s decade-long hold on first place, proving that political courage can still move equality forward.

 

France, however, remains frustratingly stuck.

 

According to the 2026 Rainbow Map, France sits in 15th place with a score of just over 60%, a position that reflects stagnation rather than progress. For a country that prides itself on liberty, equality, and fraternity, remaining behind nations like Portugal, Ireland, and the Netherlands sends a clear message: symbolic support is not enough.

Legal protections exist, but gaps remain, particularly around trans rights, intersex protections, and stronger institutional responses to discrimination and hate crimes. Equality cannot be treated as a branding exercise—it requires sustained political will.

 

Then there is Monaco.

 

The Principality remains one of Western Europe’s most glaring examples of unfinished equality. While often seen internationally as glamorous, progressive, and modern, LGBTQ+ rights in Monaco still lag far behind where they should be.

Legal recognition and meaningful protections remain limited, and for many LGBTQ+ residents and workers, visibility does not always translate into security or equality.

This matters because Monaco is not isolated from the modern world—it is a global financial centre, an international community, and a place that markets itself as sophisticated and forward-thinking. 

 

Equality should not be optional in such a place. It should be foundational.

 

And despite outdated assumptions, Monaco’s LGBTQ+ community is far stronger, connected, larger, and more resilient than many people realize. We even celebrate Pride in Monaco and are a tight-knit community.

 

That strength is seen most clearly through the work of Mon Arc en Ciel, the principality’s leading LGBTQ+ advocacy association. For years, Mon Arc en Ciel has worked tirelessly to create visibility, support individuals, challenge discrimination, and push for meaningful legal and social progress. 

 

Their work is not simply symbolic—it is essential.

 

They provide representation where silence once existed. They create community where isolation once dominated. They remind Monaco that equality is not a threat to tradition—it is a sign of maturity.

 

Progress in Monaco will not happen by accident. It happens when people show up, speak out, and support the organisations doing the hard work.

 

That is why joining and supporting Mon Arc en Ciel matters.

Whether through membership, advocacy, volunteering, or simply public solidarity, support strengthens the movement. It tells institutions that equality is not a niche issue—it is a public expectation. It gives LGBTQ+ people in Monaco the visibility and protection they deserve. And it helps ensure that future Rainbow Maps tell a better story.

 

Because Monaco should not be known as the place where equality stopped at the border.

 

It should be known as the place where it finally arrived.

 

Real progress requires more than polite acceptance. It requires action. It requires courage. And it requires people willing to stand beside organisations like Mon Arc en Ciel and say clearly: equality belongs here too.

Cannes After Dark: Why Cinéma de la Plage Is Still the Festival’s Most Anticipated Event

 

While tuxedos climb the steps of the Palais and celebrities battle flashbulbs on the Croisette, the real soul of the Festival de Cannes often waits much closer to the sand.

It waits at night.

It waits at the Plage Macé.

And it waits under the banner of Cinéma de la Plage—the Festival’s open-air cinema where the public, not just the industry elite, gets invited to the show.

For the 2026 edition, running from May 12 to May 23, the Festival once again turns the beach into a giant seaside theater, with nightly screenings beginning at 21:30 and free public access, subject to available space.

That matters.

Because of all the mythology of Cannes—private yachts, velvet ropes, whispered deals in hotel bars—Cinéma de la Plage remains one of the few places where cinema escapes the gatekeeping.

This year’s lineup proves exactly why.

There are 11 films in total, and the programming is a love letter to both nostalgia and spectacle: Top Gun returns for its 40th anniversary, two Palme d’Or winners from 1966 return for a historical nod, Ken Loach makes a return with Land and Freedom, and there is a tribute to Brigitte Bardot through a screening of Viva Maria! by Louis Malle.

Even the beach itself is being symbolically renamed for the tribute, with the city organizing the homage as Plage Macé becomes the “Brigitte Bardot Beach.”

And then there is the headline surprise: the world premiere of Les Caprices de l’Enfant Roi by Michel Leclerc, starring Artus, Doria Tillier, Julia Piaton, and Franck Dubosc, lighting up the beach screen instead of hiding behind an exclusive premiere wall.

That choice says something.

Cannes knows its reputation. It knows the accusations: too exclusive, too self-congratulatory, too obsessed with prestige and not enough with people.

Cinéma de la Plage is the rebuttal.

No badge required for the beach screenings. No invitation list. No desperate networking. Just a chair, sea air, and a screen under the stars. The official city listing makes it plain: access is free, within seating limits.

That is Cannes at its best.

Not the luxury branding.

Not couture politics.

Not the standing ovation Olympics.

Cinema.

Shared, public, collective cinema.

There is something almost rebellious about watching Top Gun with strangers by the Mediterranean while a few hundred meters away executives negotiate million-euro distribution deals.

One space sells the dream.

The other remembers why the dream mattered in the first place.

That is why Cinéma de la Plage survives every year. Because beneath all the machinery of the world’s most famous film festival, audiences still want the simplest thing possible:

A good film.
A warm night.
And the feeling that cinema belongs to everyone.

Not just the people wearing the lanyards.