Saturday, June 27, 2026

Serving Looks... and Fines?

 

There has been quite a bit of chatter on social media lately—usually from sun-kissed visitors fresh off the beach—about whether it’s legal to stroll through Riviera towns in a bikini or for men to continue their “European summer” moment shirtless after leaving the sand.

The short answer: the beach may love the look, but the local police may not.

Across much of the French Riviera, beachwear is perfectly acceptable on the beach. The moment you wander into a shopping street, market, café or historic town centre, however, different rules can apply. Think of it as a wardrobe change between scenes.

Beachwear Belongs on the Beach

Unlike some holiday destinations where people happily parade from the shoreline to the bakery in swimwear, many municipalities along the Côte d’Azur have local bylaws requiring visitors to be properly dressed away from beaches and waterfronts.

These are not national French laws; they are municipal regulations. Each town can set its own rules and penalties.

Local authorities say the aim is to maintain public decency, respect residents and businesses, preserve the character of historic centres, and keep shops, cafés and markets a little less sandy.

Nice

Nice has enforced one of the Riviera’s best-known dress regulations for years.

Walking through the city centre, Old Nice or commercial districts wearing only a bikini, swim shorts or while shirtless can result in a €35 fine. Municipal police regularly remind visitors that beach attire is intended for the beach—not for a shopping trip.

Translation: save the seaside reveal for the Promenade, not the supermarket queue.

Cannes

Cannes follows a similar approach.

Despite its glamorous seaside reputation, visitors are expected to cover up before heading into town. Men walking shirtless or anyone wearing only swimwear away from the beach may face fines generally around €35, depending on the circumstances.

Saint-Tropez

Saint-Tropez may be famous for luxury beach clubs and celebrity sightings, but it has long discouraged beachwear in its historic streets.

Visitors wandering around town in bikinis, swim trunks or without shirts can be fined under local regulations. Depending on the applicable bylaw, penalties can reach up to €150, although officers will sometimes first ask people to cover up before issuing a fine.

Apparently even Saint-Tropez has limits on how much of the vacation glow it wants displayed between the pharmacy and the post office.

Monaco

Monaco takes a slightly different approach.

There is no widely publicised municipal fine specifically targeting people wearing swimwear in the streets, but appropriate dress is expected once you leave the beach.

Walking shirtless through Monte Carlo, the Casino district or luxury shopping areas is likely to attract attention from security or police immediately. Many restaurants, hotels and boutiques will simply refuse entry to anyone dressed only in beachwear.

In Monaco, etiquette is part of the dress code.
It’s about having a sense of decorum.

Saint-Jean-Cap-Ferrat

The elegant peninsula of Saint-Jean-Cap-Ferrat is known for its quieter beaches and refined atmosphere.

While there is no widely publicised standalone bylaw or fixed fine (the last I saw it was €35 and the police do not hesitate to stop anyone) when it comes to bikinis or shirtless walking comparable to those in Nice or Saint-Tropez, visitors are still expected to cover up when leaving the beach and entering the village, restaurants, cafés and shops.

In other words: relaxed beach vibes are welcome, but perhaps not all the way to lunch. This is the billionaire peninsula after all.

Are Fines Actually Being Issued?

Yes.

I’ve seen it happen more frequently than expected in various locations.

The rules aren’t just for show—they’re being enforced. In Nice, municipal police continue issuing fines of around €35 under the city’s longstanding regulations, while nearby Saint-Raphaël has reportedly handed out dozens of fines during a single summer season. Elsewhere across France, several popular seaside towns have raised penalties to as much as €150 for people walking through town shirtless, barefoot or wearing only swimwear.

The trend is spreading as more municipalities respond to growing visitor numbers by introducing or strengthening local dress codes. The message from local authorities is consistent: beachwear belongs on the beach. Once you leave the sand and head into town, it’s time to throw on a shirt or cover-up—not only to avoid a fine, but also to respect local customs and the communities you’re visiting.

The Easiest Way to Avoid a Fine

Fortunately, avoiding a fine is wonderfully uncomplicated.

Before leaving the beach

Do this

  • Put on a T-shirt or shirt
    A quick cover-up goes a long way.

  • Wear a dress, cover-up or shorts over your swimsuit
    Beach-ready can still be town-appropriate.

  • Put on proper footwear before entering shops, cafés or restaurants
    Bare feet are for the sand, not the bakery.

Not only will you avoid the possibility of a fine, but you’ll also be respecting local customs and helping preserve the atmosphere that makes the French Riviera one of the world’s most iconic holiday destinations.

Whether you’re spending the day in Nice, Cannes, Saint-Tropez, Monaco or Saint-Jean-Cap-Ferrat, a simple cover-up can save you money—and an awkward conversation with someone carrying a ticket book.

After all, it’s much nicer to be remembered for your holiday photos than for becoming the Riviera’s most stylish municipal fine.

Friday, June 26, 2026

Matisse and Yves Saint Laurent: Where Art, Fashion and Happiness Meet in Nice

 

This summer, the city of Nice is hosting one of the Riviera’s most anticipated cultural events: “Henri Matisse – Yves Saint Laurent: Beauty, Fashion and Happiness”, a major exhibition that brings together two of the most influential creative minds of the twentieth century. Presented at the Musée Matisse in partnership with the Musée Yves Saint Laurent Paris, the exhibition runs from June 17 to September 28, 2026.

Although Henri Matisse and Yves Saint Laurent never met, their work reveals a remarkable artistic dialogue that spans generations. Both sought to challenge traditional boundaries between fine art and applied arts, transforming colour, form, pattern and emotion into powerful creative expressions. The exhibition explores how Saint Laurent drew inspiration from Matisse’s revolutionary use of colour and composition, turning artistic concepts into garments that moved through space like living works of art.

Visitors will discover an extraordinary collection of more than 160 works, including paintings, drawings, haute couture garments, textiles, accessories and archival documents drawn from prestigious French and international collections. Together, these pieces reveal the profound connections between Matisse’s artistic vision and Saint Laurent’s groundbreaking approach to fashion design.
 
At the heart of the exhibition is a shared pursuit of beauty and joy. Matisse famously sought to create art that offered balance, serenity and pleasure, while Saint Laurent transformed elegance into an art form that empowered generations. Through carefully curated pairings, visitors can trace how motifs, colours and decorative elements migrated from canvas to couture, demonstrating that creativity knows no disciplinary boundaries.
 
The exhibition also highlights the broader cultural impact of both men. Matisse redefined modern art through his bold use of colour and innovative compositions, while Saint Laurent revolutionized fashion by elevating it to the level of artistic expression. Their combined legacy continues to influence artists, designers and creators around the world.
 
For residents and visitors alike, “Beauty, Fashion and Happiness” offers far more than a traditional museum experience. It is a celebration of imagination, elegance and artistic freedom, set within the city that Matisse called home for much of his life. 
 
Whether you are passionate about art, fashion or cultural history, this exhibition promises a fascinating journey through two creative universes linked by a common belief: that beauty has the power to enrich everyday life.
 
For more information and tickets, visit the official Musée Matisse Nice Exhibition Page 

 

From Breakdown to Breakthrough: Ian Blaskey's Extraordinary Adventure Through Trauma, Healing and the Courage to Begin Again

 

Some books tell stories. Others become adventures in themselves.

For Ian Blaskey, From Breakdown to Breakthrough is much more than a memoir. It is a deeply personal account of loss, trauma, self-doubt, spirituality, gratitude and healing. More importantly, it is a testament to the idea that even life’s darkest moments can become the very things that lead us toward transformation.

It is also a book that almost never existed.

“I had never thought of writing a book,” Blaskey says, almost with disbelief.
The idea first came from Ian’s healer, Carlos, with whom I had begun working on my Inner Child. During our sessions, Carlos repeatedly told me that there was a deep connection between us and that I had a story worth sharing. At the time, I paid little attention to what he was saying.

Then another influential figure in his life, Manex, independently said exactly the same thing.

Even so, I dismissed the idea completely. Writing a book simply was not on my radar. But as the years passed and my life was transformed through therapy, self-discovery, and profound spiritual experiences, more and more people began telling me the same thing:

“You should write a book.”

Eventually, the message became impossible to ignore.

The very next day, I walked into a stationery shop, bought some paper and pens, and simply started writing.

“It was amazing. It was exciting.”

Writing did not simply allow him to tell his story. It helped him understand it.

As he wrote, memories resurfaced. Events he had long forgotten suddenly connected with larger experiences that had shaped his life. Small moments became significant. Certain experiences took on entirely new meanings. 

Through the writing process, he developed an even greater appreciation and gratitude for everything he had lived through.


This understanding also emerged through Conscious Breathing and Rebirthing. By releasing the trauma and conditioning we have carried throughout our lives, we create the opportunity to be reborn and to live as we were always meant to live—authentically, freely, and in alignment with our true selves.

“I’ve met the right people. I’ve been inspired by the right people. Things have just aligned.”

Yet, for all of the spiritual elements in the book, its greatest power may be its honesty.

What we see is what WE see. Others can see the same things differently. Hence, it’s our perception. Looking at what we have should be looking at what we want .

In many ways, the book itself became another chapter in his healing.

“Writing the book became a celebration,” he says.

That celebration, however, was hard earned.

The story that unfolds in From Breakdown to Breakthrough begins in a place many readers may find painfully relatable. Despite outward appearances, Blaskey was struggling internally in ways that few people around him fully understood.

One day, he found himself overlooking the calm Mediterranean Sea.
It was beautiful.

The water was peaceful and inviting.

He remembers thinking that perhaps he could simply walk into the sea as a moment of lost hope.

Then something happened that he still struggles to explain.

Without consciously deciding, he stood up, turned around and walked to his therapist’s office that was fortunately located not far away.

That simple act would change his life.

Inside, he was introduced to conscious breathing and therapeutic techniques that would begin unlocking emotions and memories that had been buried for decades.

At the beginning of that first session, his therapist asked him what he could see.
His answer was immediate.

“I saw a big, heavy, black door. Securely closed.”

It was, perhaps, the perfect metaphor for his life at that moment.

Behind that door lay grief.
Fear.
Trauma.
Self-doubt.
Unresolved pain.

And opening that door would become both the most difficult and most liberating experience of his life.

“The breakdown was the best thing that could have happened to me.”

It is an extraordinary statement. Yet throughout the book, Blaskey repeatedly demonstrates that what initially appears to be destruction can ultimately become transformation.

The memoir explores a remarkable journey through therapy, inner child work, breathwork, retreats and spiritual practices. Along the way, Blaskey describes experiences that challenged his understanding of himself and life itself.

He writes about meeting therapists and healers who seemed to appear exactly when he needed them.

He recounts profound spiritual experiences that he believes connected him to something much larger than himself.

He describes moments that felt impossible to explain and yet entirely real to him.

“I’ve met the right people. I’ve been inspired by the right people. Things have just aligned.”

Whether readers interpret those experiences spiritually, psychologically or simply as moments of profound self-discovery, there is little doubt that they became important turning points in his journey.

Yet for all of the book’s spiritual elements, perhaps its greatest strength lies in its honesty.

Blaskey holds nothing back.
He writes openly about emotional crisis and self-doubt.
He writes about feeling rejected.
He writes about searching for love and acceptance.

And perhaps most powerfully, he writes about childhood sexual abuse that remained buried within him for decades.

The memories emerged through therapy and breathwork in ways that were both painful and shocking.
 
For many people, such experiences would be impossible to discuss publicly.
For Blaskey, telling the truth became essential.

“My aim is to inspire people and help people. If I hold anything back, then what is my reason for doing it?”

It is difficult to read his words and not consider how many people quietly carry their own hidden pain.

Trauma rarely announces itself dramatically.
Instead, it often shapes lives in silence.
It influences relationships.
It affects confidence.
It changes how people see themselves.
It impacts their sense of worth and belonging.

Many people spend years living with wounds they cannot explain because they have never fully understood where those wounds originated.

Blaskey understands that reality intimately.

One of the most moving parts of his story involves his childhood belief that he was unloved.

His father had been seriously ill and eventually died when Blaskey was only eight years old. During this period, he was sent away to boarding school. For decades, he carried the belief that he had been sent away because he was unwanted.

Only much later did he discover something entirely different.

He had not been sent away because he was unloved.
He had been sent away because he was loved.

His mother, still only thirty-six years old and dealing with unimaginable stress and grief, had been trying to protect him from circumstances no child should have to endure.

That realization changed everything.
It also led him back to another painful truth.

It was during those years away at school that the sexual abuse occurred.

As he recounts in the book, it was a reality that remained hidden within him for decades. He also came to understand that, in those days, there were systems and societal attitudes that often allowed terrible things to remain unspoken.

Yet even while writing about these experiences, Blaskey resists the temptation to make his story solely about blame.

Instead, he continually returns to questions of perspective, healing and personal responsibility.

That does not diminish what happened to him.

Rather, it demonstrates the extraordinary work he has done to understand it.
The result is not a story of victimhood.
It is a story of resilience.

And perhaps that is why the book feels so relatable.
Because almost everyone has experienced loss.
Almost everyone has felt rejected.
Almost everyone has carried emotional pain.
Almost everyone has questioned their worth.
The details may differ, but the emotions are universal.
Another recurring theme throughout the book is gratitude.
Not gratitude as a social media slogan.
Not gratitude as forced positivity.
But gratitude is a transformative practice.

“I didn’t understand the word gratitude,” he admits.

Now he sees it everywhere.
He sees it in relationships.
He sees it in ordinary moments.
He sees it in experiences that once seemed painful and unfair.
He even sees it in his breakdown itself.

The book also challenges readers to consider modern society’s obsession with status and material success.

Blaskey speaks candidly about how often people search for happiness in possessions and achievements while neglecting the deeper work of understanding themselves.

“We’re always looking at what we can have. Do we need it?”

Instead, he discovered something much simpler and perhaps much more valuable.

Connection.
Authenticity.
Appreciation.
Presence.
Meaning.

Perhaps one of the most powerful lessons in From Breakdown to Breakthrough is that healing rarely happens quickly.

There are no shortcuts.
No instant fixes.
No magical transformations.
Healing takes time.
It takes honesty.
It requires courage.

It asks us to revisit places within ourselves that we would rather leave untouched.

Yet Ian Blaskey’s story also offers something increasingly rare in today’s world.

Hope and inspiration.

Because if someone who once sat beside the Mediterranean contemplating the end of his life can eventually write a book celebrating his transformation, then perhaps healing is possible for more people than they realize.

Perhaps breakdowns are not always endings.
Perhaps they are invitations.
Invitations to ask difficult questions.
Invitations to revisit old wounds.
Invitations to reconsider long-held beliefs about ourselves.

And invitations to believe that we may be capable of becoming something entirely different than we imagined.

For anyone who has ever experienced grief, trauma, rejection, anxiety, emotional crisis or the feeling of being utterly lost, From Breakdown to Breakthrough may feel less like reading someone else’s story and more like seeing parts of their own reflected back at them.

Because beneath its extraordinary spiritual experiences and deeply personal revelations lies something profoundly human:

The desire to heal.
The search for meaning.
And the possibility that even our darkest moments may one day become the very things that lead us home to ourselves.

I asked Ian since he has gone through such a profound transformation, how do you define a meaningful life today compared with how you viewed it before your breakdown?
 
In answer to your question, it’s a difficult one to answer. Before my breakdown, I believed my life had meaning, but looking back, I realise it had far less meaning than I thought.
 
The reason I broke down was because I was living as so many of us do — trying to be the person our parents, society, or others expected us to be, rather than the person we were born to become.
 
I was moving through life largely on autopilot, as many people do. Driven by ego, we are constantly striving, competing, and pushing ourselves to achieve more and climb ever higher. Eventually, we become exhausted. Then, for some of us — thankfully — something gives way. 

Never in a million years could I have imagined the incredible people I would meet or the remarkable connections I would make. Those experiences have enabled me not only to discover amazing places and different ways of living, but also new beliefs and understandings that have given my life an entirely new sense of meaning and purpose.

I don’t want to reveal too much, as there are some surprising stories in my book — stories that have certainly surprised me. My mission is simply to inspire people. If my experiences encourage others to transform themselves, reconnect with who they truly are, and in turn inspire others to do the same, then I feel I have achieved something worthwhile.

As I read not long ago: This generation owes it to the next generation to become the first unfucked-up generation in generations.

From Breakdown to Breakthrough is available from Amazon and other online book sellers.

Thursday, June 25, 2026

Lights, Camera, Monaco! Margot Robbie and Bradley Cooper Search for Riviera Extras

 

Hollywood is coming to the Côte d’Azur, and local residents have a chance to be part of it.

Casting is now underway for extras aged between 18 and 90 to appear in the upcoming Ocean’s Eleven prequel, which will film in Nice and Monaco between 24 August and 15 October.


The untitled Warner Bros. production is directed by Bradley Cooper, who also stars alongside Margot Robbie. Set against the glamour and intrigue of the 1962 Monaco Grand Prix, the film follows the parents of Danny Ocean, the legendary heist mastermind later portrayed by George Clooney in the blockbuster franchise. Brazilian actor Wagner Moura, fresh from his Oscar-nominated performance in The Secret Agent, has signed on to play the film’s antagonist.

According to casting notices published by Tous les Castings, producers are searching for a wide range of period-appropriate extras. Roles include hotel and casino staff such as waiters, sommeliers, croupiers and concierges, as well as bodyguards, police officers, firefighters and lifeguards. The production is also seeking mechanics, racing drivers and motorsport engineers, dancers and musicians, English-speaking actors with light-double experience, and people with sailing skills, including boat crew and scooter riders.
 
There is also an open call for crowd-scene extras from all backgrounds, although the requirements are unusually specific in order to recreate the early 1960s. Applicants must have no visible tattoos, piercings or cosmetic surgery, no modern hair colouring, and meet strict height guidelines of no more than 1.82 metres for men and 1.72 metres for women. Male applicants are also required to have short haircuts.
 
Anyone hoping to appear in the film must live in Nice, Monaco or within an hour’s travel of the filming locations.

Costume fittings will take place between August 5th and 23rd and will last approximately half a day. Successful applicants must be available for at least one full day of filming, with some roles requiring several consecutive shooting days for continuity purposes.

Applications are being accepted exclusively through the Tous les Castings website. Preference given only to local candidates and those with the appropriate work authorisation, while applicants are encouraged to highlight any relevant experience in hospitality, motorsport, sailing, dance, security, stunt work or light-double performances.

Production is expected to begin in Paris in July before moving south to the French Riviera. The Ocean’s prequel is currently scheduled to arrive in cinemas on 25 June 2027.